Over the last year or two the design world has favoured the organic finishes nature offers us. But recently we have noticed this taking an extreme turn, as designers create a hyper-raw aesthetic that is both hideous and intriguingly beautiful at the same time.
Pascal Smelkis’ chandeliers for his “Kaarsrecht” series, shown at Milan design week this year is anti-perfection; creating unruly forms and textures.
Metro cabinet (above) and side table (below) by Will Shannon, mixes papier maché and turned wood; smooth and rough.